Yamaha AFC System Stockton CA

The AFC system available in Stockton allows truly variable acoustics for multipurpose auditoriums. The system creates convincing natural acoustical character with reverb times up to two times the base condition of the space, with the ability to add early reflections, reverberation, and lateral energy to the seating area.

Central Valley Electric Supply
(209) 464-1010
2735 Teepee Drive
Stockton, CA
Best Buy
209-824-7855
934 Perimeter Drive
Manteca, CA
SimplifySimple Computer Repair
(209)565-4550
6221 Glenbrook Ln
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Interface Computers
(530) 350-3865
PO Box 916
Oroville, CA
Geckodrive Inc
(714) 832-8874
Santa Ana, CA
Best Buy
209-474-1839
5400 Pacific Ave
Stockton, CA
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209-832-2166
2550 Naglee Rd
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Video 101
(209) 474-7341
8118 West Ln Ste 101A
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Pc-Mac Solutions inc. Mt. View, Redwood City, San Mateo
(650) 964-8200
100 West El Camino Real
Mountain View, CA
Computer Ace Technologies LLC
(714) 928-1155
Bellflower, CA
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Yamaha AFC System

Source: ProAV MAGAZINE
Publication date: November 7, 2008

By Seth Waltz

MY PICK: Yamaha Acoustics Field Control system

PRICING: Quoted on a per-project basis; the most recent system we worked on was $110,000 installed.

WHAT I LIKE ABOUT IT: The AFC system allows truly variable acoustics for multipurpose auditoriums. The system creates convincing natural acoustical character with reverb times up to two times the base condition of the space, with the ability to add early reflections, reverberation, and lateral energy to the seating area. Speakers are virtually invisible hidden in the ceiling clouds fully recessed.

WHAT I WOULD CHANGE: The AFC system is a package that includes AFC AD8HR microphone preamps, AFC 2 processors, Yamaha AFC Speakers, and Yamaha XM 4080 amplifiers.

The speakers are currently the only drawback on some projects. They do not have an all-in-one ceiling retrofit speaker, so the install has to be done from above the ceiling. In some renovations this is difficult.

WHERE I USED IT: Glens Fall High School, Glens Falls, N.Y.

MY RESULTS: The existing space had a reverb time that to some degree satisfied the local professional orchestras that use the space for concerts, but was too live for contemporary music, speech, and theatrical use. There were dead seats in the center of the main floor, due to the lack of physical acoustical diffusion. We corrected the room to a lower RT60 as the base condition using inexpensive absorption.

Click here to read full article from Pro AV Magazine